1/11/2024 0 Comments Lights out 2 duck call![]() (He also put his mind to passing and led the league in total assists once, during the ’67–68 campaign.) Even if Russell’s Celtics teams generally got the best of Chamberlain and his teammates, Chamberlain and his otherworldly dominance were undoubtedly the draw. He never ran out of energy on the court, and during the 1961–62 season-one in which he averaged 50.4 points and 25.7 rebounds-managed to play more than 48 minutes per game. Chamberlain developed a silky, unblockable fadeaway jumper, which the doc illustrated looked highly similar to the one Dirk Nowitzki would later make popular all over again. He had an enormous vertical leap, meaning every opposing shot was liable to get swatted away. Yes, he was the tallest man on the floor, but could also get down the court faster than just about anyone. But for all the winning Russell experienced-he won 11 titles despite being far less flashy and talented as a scorer-Chamberlain possessed skills no one had ever seen. George Mikan had been the biggest name in basketball before the era in which Russell and Chamberlain shined. He was figuring it out in real time.” Chamberlain overcame stuttering and discomfort with being abnormally tall as a young boy. There wasn’t anyone of Wilt’s stature for him to go off of, really. But when you look at someone like LeBron, as a student of the game, he can look at the stardom of Russell or Wilt or Michael. “He changed the face of basketball,” says Victor Buhler, one of the executive producers of the film. In an era when fans have been given shows produced by LeBron James, and entire docuseries on Michael Jordan, Magic Johnson and Bill Russell, it makes sense that Chamberlain-the most dominant basketball force of his time, and perhaps ever-has his incredible story documented for this generation, too. Chamberlain is a fascinating, larger-than-life character who’s been out of the limelight since his passing in 1999 at the age of 63. (The entirety of the Brando doc is in his own words.)īut the best part of Goliath has nothing to do with technology and instead, everything to do with the richness of the storytelling. An ESPN documentary on former Raiders owner Al Davis and former NFL commissioner Pete Rozelle used deepfake technology a couple of years ago, while a Marlon Brando documentary made use of more than 300 hours of audiotapes the actor had recorded over the years. Other interesting filmmaking tactics have been utilized before to voice departed legends. ![]() Wilt’s words have been composed of quotations of his written work and public statements,” the statement reads. program with the permission of the Wilt Chamberlain estate. ![]() “Wilt Chamberlain’s voice in this series is created using an A.I. That’s it for today … in future blogs, I will further explore tuning your call, as well as how to select the right call for you.At the beginning of each episode of Goliath, the well-crafted, three-part Showtime docuseries on legendary hoops star Wilt Chamberlain that premieres this Friday, there’s a disclaimer. In addition to keeping it clean, simply tuck your call under your coat or shirt and let your body heat keep your call from freezing. Again, don’t blame the call – if you put spit in your call (and we all do!) and it’s freezing outside, your call will freeze. This will greatly reduce the chance of losing one end in the field).Īnother related problem in the field is freezing calls. (An important note: When attaching your call to your lanyard, make sure you attach both ends of the call. ![]() The napkin or bill will soak up your spit and pull out any foreign matter, and you will be back in business quickly. Keep a napkin (or a dollar bill) in your pocket, and if your call sticks in the field, pull out the insert and run the napkin between the tone board and the reed (the dollar bill works well here because it will not tear apart easily). ![]() I prefer to disassemble and clean my calls however, the quickest and easiest method is to simply run tap water through the call, turn it around and blow the water out, and done – your call will be clean and ready to use.Ģ. Here’s a couple additional suggestions for managing “sticking calls”:ġ. Clean the tone board and reeds with a rinse of tap water, dry off with a paper towel, reassemble, and that’s it! With a rough surface on your toneboard, spit and foreign matter are less likely to build and “stick” under your reed, meaning less chance of your call sticking at the wrong moment in the blind. Don’t be aggressive with the file and shave it down, just lightly rub the file across the face of the tone board to give the surface a rough finish. ![]()
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